Sarasvatī perverts the mind of Mantharā (a handmaid of queen Kaikeyī); a dialogue between Kaikeyī and Mantharā
Dohas
nāmu maṃtharā maṃdamati cērī kaikēi kēri.
ajasa pēṭārī tāhi kari gaī girā mati phēri..12.. [2-12]
Chaupais
dīkha maṃtharā nagaru banāvā. maṃjula maṃgala bāja badhāvā..
pūchēsi lōganha kāha uchāhū. rāma tilaku suni bhā ura dāhū.. [2-12-1]
karai bicāru kubuddhi kujātī. hōi akāju kavani bidhi rātī..
dēkhi lāgi madhu kuṭila kirātī. jimi gavaom takai lēu kēhi bhāomtī.. [2-12-2]
bharata mātu pahiṃ gai bilakhānī. kā anamani hasi kaha haomsi rānī..
ūtaru dēi na lēi usāsū. nāri carita kari ḍhārai āomsū.. [2-12-3]
haomsi kaha rāni gālu baḍa tōrēṃ. dīnha lakhana sikha asa mana mōrēṃ..
tabahu na bōla cēri baḍai pāpini. chāḍai svāsa kāri janu sāompini.. [2-12-4]
Dohas
sabhaya rāni kaha kahasi kina kusala rāmu mahipālu.
lakhanu bharatu ripudamanu suni bhā kubarī ura sālu..13.. [2-13]
Chaupais
kata sikha dēi hamahi kōu māī. gālu karaba kēhi kara balu pāī..
rāmahi chāḍai kusala kēhi ājū. jēhi janēsu dēi jubarājū.. [2-13-1]
bhayau kausilahi bidhi ati dāhina. dēkhata garaba rahata ura nāhina..
dēkhēhu kasa na jāi saba sōbhā. jō avalōki mōra manu chōbhā.. [2-13-2]
pūtu bidēsa na sōcu tumhārēṃ. jānati hahu basa nāhu hamārēṃ..
nīda bahuta priya sēja turāī. lakhahu na bhūpa kapaṭa caturāī.. [2-13-3]
suni priya bacana malina manu jānī. jhukī rāni aba rahu aragānī..
puni asa kabahu kahasi gharaphōrī. taba dhari jībha kaḍhaāvau tōrī.. [2-13-4]
Dohas
kānē khōrē kūbarē kuṭila kucālī jāni.
tiya bisēṣi puni cēri kahi bharatamātu musukāni..14.. [2-14]
Chaupais
priyabādini sikha dīnhiu tōhī. sapanēhu tō para kōpu na mōhī..
sudinu sumaṃgala dāyaku sōī. tōra kahā phura jēhi dina hōī.. [2-14-1]
jēṭha svāmi sēvaka laghu bhāī. yaha dinakara kula rīti suhāī..
rāma tilaku jauṃ sāomcēhu kālī. dēu māgu mana bhāvata ālī.. [2-14-2]
kausalyā sama saba mahatārī. rāmahi sahaja subhāyaom piārī..
mō para karahiṃ sanēhu bisēṣī. maiṃ kari prīti parīchā dēkhī.. [2-14-3]
jauṃ bidhi janamu dēi kari chōhū. hōhu rāma siya pūta putōhū..
prāna tēṃ adhika rāmu priya mōrēṃ. tinha kēṃ tilaka chōbhu kasa tōrēṃ.. [2-14-4]
Dohas
bharata sapatha tōhi satya kahu parihari kapaṭa durāu.
haraṣa samaya bisamau karasi kārana mōhi sunāu..15.. [2-15]
Chaupais
ēkahiṃ bāra āsa saba pūjī. aba kachu kahaba jībha kari dūjī..
phōrai jōgu kapāru abhāgā. bhalēu kahata dukha raurēhi lāgā.. [2-15-1]
kahahiṃ jhūṭhi phuri bāta banāī. tē priya tumhahi karui maiṃ māī..
hamahu kahabi aba ṭhakurasōhātī. nāhiṃ ta mauna rahaba dinu rātī.. [2-15-2]
kari kurūpa bidhi parabasa kīnhā. bavā sō lunia lahia jō dīnhā..
kōu nṛpa hōu hamahi kā hānī. cēri chāḍai aba hōba ki rānī.. [2-15-3]
jārai jōgu subhāu hamārā. anabhala dēkhi na jāi tumhārā..
tātēṃ kachuka bāta anusārī. chamia dēbi baḍai cūka hamārī.. [2-15-4]
Dohas
gūḍha kapaṭa priya bacana suni tīya adharabudhi rāni.
suramāyā basa bairinihi suhda jāni patiāni..16.. [2-16]
Chaupais
sādara puni puni pūomchati ōhī. sabarī gāna mṛgī janu mōhī..
tasi mati phirī ahai jasi bhābī. rahasī cēri ghāta janu phābī.. [2-16-1]
tumha pūomchahu maiṃ kahata ḍērāūom. dharēu mōra gharaphōrī nāūom..
saji pratīti bahubidhi gaḍhai chōlī. avadha sāḍhasātī taba bōlī.. [2-16-2]
priya siya rāmu kahā tumha rānī. rāmahi tumha priya sō phuri bānī..
rahā prathama aba tē dina bītē. samau phirēṃ ripu hōhiṃ piṃrītē.. [2-16-3]
bhānu kamala kula pōṣanihārā. binu jala jāri karai sōi chārā..
jari tumhāri caha savati ukhārī. rūomdhahu kari upāu bara bārī.. [2-16-4]
Dohas
tumhahi na sōcu sōhāga bala nija basa jānahu rāu.
mana malīna muha mīṭha nṛpa rāura sarala subhāu..17.. [2-17]
Chaupais
catura gaombhīra rāma mahatārī. bīcu pāi nija bāta saomvārī..
paṭhaē bharatu bhūpa naniaurēṃ. rāma mātu mata jānava raurēṃ.. [2-17-1]
sēvahiṃ sakala savati mōhi nīkēṃ. garabita bharata mātu bala pī kēṃ..
sālu tumhāra kausilahi māī. kapaṭa catura nahiṃ hōi janāī.. [2-17-2]
rājahi tumha para prēmu bisēṣī. savati subhāu sakai nahiṃ dēkhī..
racī praṃpacu bhūpahi apanāī. rāma tilaka hita lagana dharāī.. [2-17-3]
yaha kula ucita rāma kahu ṭīkā. sabahi sōhāi mōhi suṭhi nīkā..
āgili bāta samujhi ḍaru mōhī. dēu daiu phiri sō phalu ōhī.. [2-17-4]
Dohas
raci paci kōṭika kuṭilapana kīnhēsi kapaṭa prabōdhu..
kahisi kathā sata savati kai jēhi bidhi bāḍha birōdhu..18.. [2-18]
Chaupais
bhāvī basa pratīti ura āī. pūomcha rāni puni sapatha dēvāī..
kā pūchahu tumha abahu na jānā. nija hita anahita pasu pahicānā.. [2-18-1]
bhayau pākhu dina sajata samājū. tumha pāī sudhi mōhi sana ājū..
khāia pahiria rāja tumhārēṃ. satya kahēṃ nahiṃ dōṣu hamārēṃ.. [2-18-2]
jauṃ asatya kachu kahaba banāī. tau bidhi dēihi hamahi sajāī..
rāmahi tilaka kāli jauṃ bhayaū. tumha kahu bipati bīju bidhi bayaū.. [2-18-3]
rēkha khaomcāi kahau balu bhāṣī. bhāmini bhaihu dūdha kai mākhī..
jauṃ suta sahita karahu sēvakāī. tau ghara rahahu na āna upāī.. [2-18-4]
Dohas
kadrūom binatahi dīnha dukhu tumhahi kausilāom dēba.
bharatu baṃdigṛha sēihahiṃ lakhanu rāma kē nēba..19.. [2-19]
“Kadrū (the progenitress of the serpent race) persecuted her co-wife Vinatā (mother of the whole feathered kingdom); so will Kausalyā tyrannize over you. Bharata will rot in prison, while Lakṣmaṇa will be Rāma’s lieutenant.”
- The names Kadrū and Vinatā take us back to the beginning of creation. The Purāṇas (a class of sacred literature dealing with the history of the entire cosmos and wrongly supposed by modern critics both in India and abroad to be works on mythology) declare that the different species of living beings from celestials down to the tiniest insect took their common descent from the sage Kaśyapa through different mothers. Of them Kadrū gave birth to the race of serpents, while Vinatā brought forth the winged creation. Once there was a controversy between the two ladies about the colour of the tail of the celestial horse Uccaiḥśravā. Vinatā insisted that the horse was white in colour while Kadrū maintained that it was dark. It was mutually agreed that the lady whose version proved untrue should serve the other as a handmaid for the rest of her life. When Kadrū came to know that the horses were really white in colour, she managed to hoodwink the guileless Vinatā by asking her sons (the cobra race) to cover the tail of Uccaiḥśravā by their own dark forms and thus lending it a dark hue. Vinatā was thus made to serve her co-wife for a number of years and suffered great persecution at her hands, till she was liberated by Garuḍa (Vinatā’s powerful son and the celebrated vehicle of Bhagavān Viṣṇu). The story is told at length in the Ādiparva of the Mahābhārata.
Chaupais
kaikayasutā sunata kaṭu bānī. kahi na sakai kachu sahami sukhānī..
tana pasēu kadalī jimi kāompī. kubarīṃ dasana jībha taba cāompī.. [2-19-1]
kahi kahi kōṭika kapaṭa kahānī. dhīraju dharahu prabōdhisi rānī..
phirā karamu priya lāgi kucālī. bakihi sarāhai māni marālī.. [2-19-2]
sunu maṃtharā bāta phuri tōrī. dahini āomkhi nita pharakai mōrī..
dina prati dēkhau rāti kusapanē. kahau na tōhi mōha basa apanē.. [2-19-3]
kāha karau sakhi sūdha subhāū. dāhina bāma na jānau kāū.. [2-19-4]
Dohas
apanē calata na āju lagi anabhala kāhuka kīnha.
kēhiṃ agha ēkahi bāra mōhi daiaom dusaha dukhu dīnha..20.. [2-20]
Chaupais
naihara janamu bharaba baru jāi. jiata na karabi savati sēvakāī..
ari basa daiu jiāvata jāhī. maranu nīka tēhi jīvana cāhī.. [2-20-1]
dīna bacana kaha bahubidhi rānī. suni kubarīṃ tiyamāyā ṭhānī..
asa kasa kahahu māni mana ūnā. sukhu sōhāgu tumha kahu dina dūnā.. [2-20-2]
jēhiṃ rāura ati anabhala tākā. sōi pāihi yahu phalu paripākā..
jaba tēṃ kumata sunā maiṃ svāmini. bhūkha na bāsara nīṃda na jāmini.. [2-20-3]
pūomchēu guninha rēkha tinha khāomcī. bharata bhuāla hōhiṃ yaha sāomcī..
bhāmini karahu ta kahauṃ upāū. hai tumharīṃ sēvā basa rāū.. [2-20-4]
Dohas
parau kūpa tua bacana para sakau pūta pati tyāgi.
kahasi mōra dukhu dēkhi baḍa kasa na karaba hita lāgi..21.. [2-21]
Chaupais
kubarīṃ kari kabulī kaikēī. kapaṭa churī ura pāhana ṭēī..
lakhai na rāni nikaṭa dukhu kaiṃsē. carai harita tina balipasu jaisēṃ.. [2-21-1]
sunata bāta mṛdu aṃta kaṭhōrī. dēti manahu madhu māhura ghōrī..
kahai cēri sudhi ahai ki nāhī. svāmini kahihu kathā mōhi pāhīṃ.. [2-21-2]
dui baradāna bhūpa sana thātī. māgahu āju juḍaāvahu chātī..
sutahi rāju rāmahi banavāsū. dēhu lēhu saba savati hulāsu.. [2-21-3]
bhūpati rāma sapatha jaba karaī. taba māgēhu jēhiṃ bacanu na ṭaraī..
hōi akāju āju nisi bītēṃ. bacanu mōra priya mānēhu jī tēṃ.. [2-21-4]
Winning over Kaikeyī and treating her as an offering accepted for sacrifice the humpback whetted the knife of trickery on the stone of her heart. The queen, however, like a sacrificial beast who nibbled the green turf, did not foresee the impending calamity. Agreeable to hear, yet painful in consequence, were the words she spoke; it seemed as if she was administering honey mixed with poison. Said the maid-servant, “Do you, or do you not, remember the incident you once told me, my lady? You have in reserve with the king a couple of boons that he once promised you. Ask for them today and soothe your heart. Bestow sovereignty on your son and an abode in the forest on Rāma and rob your co-wives of all their joy. When the king swears by Rāma, ask the boons only then, so that the former may not go back upon his word. The scheme will fail if this night is allowed to pass; cherish my words as dearer than life.”
- It is stated in Vālmīki’s Rāmāyaṇa that King Daśaratha was once engaged in a combat with the demon king Śambara on behalf of the gods. The king was mortally wounded and fell unconscious in his chariot, while his charioteer also fell. The valiant Queen Kaikeyī, who had accompanied her royal husband to the field of battle assumed the role of a charioteer and removed the king to a safe retreat. When the king regained his consciousness and came to know of the timely help rendered by the queen he was immensely pleased and offered her a couple of boons. The queen, however, kept them in reserve and did not ask for anything on that occasion.
The Adhyātma-Rāmāyaṇa (forming part of the Brahmāṇḍa-Purāṇa), however, tells a different story. There we are told that while King Daśaratha was once fighting with the demons on behalf of the gods the axle of the wheels of his chariot got loosened and was about to fall when Queen Kaikeyī, who had accompanied the king to the battlefield, perceived it and inserting her own arm in place of the axle prevented the chariot from toppling down and held her arm in that position till her husband was able to vanquish his foe. The king was filled with admiration and gratitude when he marked this heroic feat of his queen and offered her two boons, which the queen prudently reserved for a future occasion.